I couldn’t have said it better myself….
stacy + jason were married within the very romantic, Il Cielo… the dreamy, italian setting was filled with candles, florals, and decadent meals… together, we celebrated in jewish tradition, danced, laughed, cried and smiled wide… an incredible night with their loved ones…
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Photo courtesy of jabezphotography.com

Image: Metacritic

Review: Uncut

Sugar Mountain is a fascinating snapshot of Neil Young at a transitory moment in his long career, for which it also provides an indelible template. This is in many ways how he would sound for the next 40 years. At least, that is, when he wasn’t raging noisily with Crazy Horse, taking various detours into unadulterated country, winsome folk, synthesiser-pop, stylised rockabilly, big band R&B, grunge, electronic experimentalism, otherwise undermining convenient expectation or elsewhere meandering down the musical avenues that have at various times left fans baffled and at least one record company exasperated enough to want to sue him for not sounding enough like himself, when in fact for all this time he has sounded like no one at all but himself.

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Image and text source: NYTimes

THE FIREMAN
Electric Arguments
(MPL/ATO)

How does Paul McCartney, 66, follow up Memory Almost Full, his grand autumnal (but still chipper) statement on life and mortality? By hiding his name and conjuring one kind of heaven: the 1960s as reconstituted with 21st-century multitracking. For Electric Arguments, he regrouped his not-so-anonymous duo the Fireman (Mr. McCartney produced by the bassist Youth), walked into the studio on 13 nonconsecutive days with no material, and finished a track at each session, playing all the instruments. (There is also a fragment hidden at the end of the last song.) Some songs have verses and choruses, while others are just fleshed-out sketches, seeking and often finding what Sing the Changes calls for: a sense of childlike wonder.

The two Fireman albums Mr. McCartney released in 1993 and 1998 were repetition-powered instrumental outings: the first close to dance music, the second more meditative. But Electric Arguments is a song collection, from skewed blues-rock (Nothing Too Much Just Out of Sight, complete with hooting harmonica and a Howlin Wolf impression) to gospelly skiffle (Light From Your Lighthouse) to East-West blends (Lifelong Passion) to blissed-out one-man studio jams (This Love). The link to the 90s Fireman is Universal Here, Everlasting Now, which has a synthesizer pulse amid its sliding, echoing guitars.

Read the entire review at NYTimes

Image and text source: NYTimes

Billy Corgan framed the Smashing Pumpkins’ concert on Thursday night at the United Palace Theater in Washington Heights as mere entertainment. It started with an annunciatory drum solo by Jimmy Chamberlin, the only other remaining member of the original band, followed by the surf-rock-style “Roctopus,” with Mr. Corgan singing, “I don’t care what you do as long as you dance.”

Some band members were costumed: Mr. Corgan in a tiered skirt and one of his Zero Star jerseys; Ginger Reyes, the bassist, in a tutu; and Lisa Harriton, the keyboardist, in a black corset and stockings. And it ended with a goofy, kazoo-hooting version of “Everything Is Beautiful.”

Read the entire review at NYtimes.com

Metabolic Valium

Image and text: NYTimes.com

by ROSLYN SULCAS
Published: November 17, 2008

The first thing to be said about “60×60 Dance” is that it is a masterpiece of organization. The idea — 60 new dance pieces are performed to 60 new pieces of music, each lasting no more than 60 seconds — is quite mad. But it’s this kind of madness that makes the cultural world go round, and so our thanks are due to the composer Robert Voisey, who first came up with the concept in 2003. He has apparently staged more than 100 “60×60” performances since then, and on Friday he and the choreographer Jeramy Zimmerman added two more in the Winter Garden of the World Financial Center.

Read the entire article at NYTimes

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Note: Recently found a great resource for Chill out music. If want ambient sounds outside of the mainstream, then visit Calmscape once in a while. Below is one of their reviews on a release featuring portishead,Boards of Canada and Cinematic Orchestra. Visit the site: Calmscape

Following 2006’s acclaimed album Echo Other, All India Radio return with a sparkling new album Fall. Mixing a little Portishead with a dash of Boards Of Canada & Cinematic Orchestra, Fall is the first album with new singer/song writer Leona Prue whose thoroughly entrancing voice adds a new focus to the band’s lush cinematic soundscapes. Guests include Graham Lee (The Triffids, KLF) who plays some stunningly atmospheric pedal steel guitar and experimental cellist Emily Williams.

Guests include Graham Lee (from legendary Aussie band The Triffids and classic KLF albums Chill Out and The White Room) who plays some stunningly atmospheric pedal steel guitar and Australian experimental cellist Emily Williams.

Key tracks include the string-drenched lushness of Persist and Fall, the atmospheric ambience of Morning Drops and the intense dark pop of Endless Night.

All India Radio commissioned award winning Australian animator Lucy Dyson to create a quirky and moving animated video for ‘Persist’ based on the true story of Topsy the circus elephant. Lucy’s recent projects include music videos for rising star Gotye, Dan Kelly, Bird Blobs, TZU, The Stardust Five, and an award winning music video for Sarah Blasko.

Visit the website of All India Radio for further info.

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